Quote:
Originally Posted by Charles
I always shot 400 ASA as a rule, gave me an edge in lower light. I never could appreciate that it was too grainy for my tastes.
To elaborate on my thread, apparently it's only Kodachrome which as bit the dust. The newer Kodak film is still supported.
Which makes me feel better. I spent years collecting a K1000, with a 50, 28, 35-80, 70-300, 2X doubler, with a tripod, shutter release, flash, and a sack full of filters which all fit in a shoulder bag.
A very capable rig, and I'd still rather use it as my digital.
I also regret selling my Spotmatic. But I was trained on a Speed Graphic, if that tells you anything.
Guess I like living in the past.
Chas
BTW Blue, just how many TOTL 7" tapes do you need for your Revox? I've got 50 or so, in excellent condition, recorded once. And a few virgins. Maxell and Memorex.
Chas
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I mostly shot Kodachrome 64 (along with Ektachrome 64). However, when I lived in New Orleans, I used a fair amount of K25 on bright sunny days.
I still have a Canon F1 along with three nice lenses and a flash, as well as an Olympus XA (a mini 35mm rangefinder).
I've considered selling my entire F1 package, but continue to hang on to it.